ITINERANTE ART INSTALLATION, 2009
Itinerant art project that aims to create a sculptural organism, fully adapted at the architectural environment, almost as an alive system that reacts to the space. Was based in a logical construction that made possible an experiment within the art installation research, trying to explore the potencial of an 100% adaptable sculpture.


Projecto Nómada: Estrutura I 
Exhibition at Academy of Fine Arts of Oporto | jul.2009
Projecto Nómada: Estrutura I , 2009  (Nomadic Project: Structure I)
Back rubber Variable dimensions

Art Project integral part of the Master Thesis in Sculpture 2009, at Fine Arts Academy of Porto, Portugal.




Projecto Nómada: Estrutura II 
Artistic Intervention at Ilha Daluz, Downtown Porto | Aug.2009
Projecto Nómada: Estrutura II , 2009 (Nomadic Project: Structure II, 2009)
Black rubber, Variable dimensions

Art Project integral part of the Master Thesis in Sculpture 2009, at Fine Arts Academy of Porto, Portugal.



Projecto Nómada: Estrutura III
Artistic Intervention at Museum COAC - Casa Oficina António Carneiro, Porto |  Sep.2009
Projecto Nómada: Estrutura III , 2009  (Nomadic Project: Structure III, 2009)
Black rubber, Variable dimensions
Art Project integral part of the Master Thesis in Sculpture 2009, at Fine Arts Academy of Porto, Portugal.
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Projecto Nómada: Estrutura IV 
Artistic Intervention at Museum of Fine Arts Academy, Porto | Nov.2009 
Projecto Nómada: Estrutura IV (Nomadic Project: Structure IV) 2009
Black rubber, Variable dimensions.
Art Project integral part of the Master Thesis in Sculpture 2009, at Fine Arts Academy of Porto, Portugal.


"Projecto Nómada" was developed as a project inside an artistic research integral part of the Master's thesis “Do Espaço à Escultura: Transferências de um Corpo" (From Space to Sculpture: Transfers from a Body, fully available in the Library of the Faculty of Fine Arts University of Oporto).
Presented as an itinerant art project, aims to increase the spatial understanding's worth for a sculpture's definition, using the drawing as a mental tool for its successful accomplishment. Drawing is used as a complex and conscious methodology and in that specific establishment, the procedural nature is evident and unavoidable.
Each intervention moment (in total four) was created without previous projects/drawings and entirely built in loco, taking each architecture as a structure of the sculpture and the exhibition place as an workshop.
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